I grew up absorbing classical records through my father's speakers, captivated by how sound could process emotion. That became the blueprint. My music lives in that space between complexity and atmosphere, where analogue synth and drum programming meet something like a Twin Peaks fever dream.
"Blue Eyes" gets at what I'm trying to do. It's dark and slow, melancholic, but still sharp. Modern production cutting across that dreamy haze. I'm drawn to artists like Beck and Susanne Sundfør because they stay true to something weird and curious without apologizing for it. There's a generosity in that approach.
Music is connection. Whether I'm in the studio with my musicians or on stage, what matters is sharing that energy, meeting people heart to heart. That's what I remember. That's what stays.